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For some, it may jangle too much, but we have to be realistic about how iconic the sound of a 12-string guitar has been throughout music history.
Hotel California? Wish You Were Here? Ticket To Ride? Yes, all of those, subtly supported by the unmistakable brightness of a 12-string.
Looking at the top ones on the market is as subjective as any other kind of gear. As every guitarist has a different budget, I have used that as a starting point.
There’s a reason Takamine is so popular at acoustic nights the world over: the right balance of quality and price. That is one of the key aims of their G30 series. It’s staking a claim as being a good all-rounder, which makes it ideal if you’re new to 12-strings, and want a reference point before honing down to your own style and preference.
The GD30-12NAT is a straight up acoustic, with that classic dreadnought shape and natural look. With a solid spruce top, and mahogany back and sides, this will give you a full, clear sound. Used with a good quality microphone that will reflect the nuances of its tone, this is ideal for home recording enthusiasts.
The GD30 has quite a mellow tone, but the brightness of those six extra strings carries it to another plain. It manages to project a decent volume, without ever sounding boomy.
This makes it great for songwriters: easy to sing over without being miced up, or if you want to quickly get an idea down before it goes away, a well-placed phone will pick up the vocals and guitar sufficiently, so both are evident.
It also makes it ideal for being “that person at the house party with a guitar.”
For the gigging musicians, keen to bring the 12-string sound all over town, the G30 series also boasts the GD30CE-12. Again, this is dreadnought-style, with a solid spruce top, and mahogany back and sides, in a natural finish, but this has the addition of a Venetian cutaway, and a preamp system for you to plug in.
The tricky thing about tonally evaluating electro-acoustics is that so much happens after it gets plugged in: the settings on the onboard EQ; the mixer and settings being used; the engineer looking after the sound, and his idea of what sounds good in the room.
The TP-4TD preamp is Takemine’s own design. Think of it this way: would a brand synonymous with electro-acoustic guitars, risk said synonymy by having a substandard preamp? High unlikely.
Unfortunately, neither of these seem to come left-handed.
If you would prefer a more recognizable brand, Fender has a couple of electro-acoustic options, both at budget level. For a traditional look and feel, you won’t go wrong with the CD-160SE.
For the player looking to stand out a little, the Villager has that sixties hockey stick headstock to fit all twelve machine heads.
Best known for creating beauties of a pointy nature, it may be a surprise that Dean actually has a sizeable acoustic and less-pointy catalog, which features a few options that are very much worth a look.
Taylor does not make budget 12-strings. You can get some used for less than $1,000, but if you’re looking for the satisfaction of walking out of a guitar store with something shiny, and you can deeply inhale that new guitar aroma, you are going to be looking at the other side of $1k.
This is a fine example: The 254ce-DLX. But what do you actually get for your extra dollars? Firstly, the 200 series is American-made. This always boosts the bucks as a selling point. US–made guitars generally start with better materials, put together by skilled craftspeople, with a more rigid quality control process. You have to pay for these things.
The Grand Auditorium body shape lies between a dreadnought and a Grand Concert, with claims that this is a more comfortable shape than either. Obviously, this entirely depends on personal preference. Tonally, this gives a fuller sound, and slightly more volume than a dreadnought shape.
The guitar boasts a Sitka spruce top and layered rosewood back and sides. The fact that such specifics are given, as opposed to just “spruce” or “mahogany” is generally a good indication of quality – they can’t brag about something that isn’t of value.
Aesthetically, the fingerboard houses cleanly inserted diamond inlays on an ebony fingerboard. The tortoise pickguard may not be to everybody’s taste.
Enough looking: how does it feel? When you play guitars in this price range, there is an expected standard, and the 254cemeets that. Out of the box, a quick tune up, and it’s ready to go. The machine heads are solid and hold the tuning – what more do you want? The relatively low action on the Elixir strings it ships with makes it an enjoyable and fun guitar to play.
It’s one you’re going to keep going back to for its playability.
In terms of sound, the Grand Auditorium shape lends itself to a very balanced tone. The low end isn’t too low; the high end not too high; middle… well, you get the picture. This essentially is aiming to be a better quality of the all-rounder Takamines. Feeling and hearing what you pay extra for is not going to be a struggle.
Love them or hate them, Ovations’ slim, bowl-back design lends itself perfectly to the musician on the go. As long as they’re standing. Bowl-back guitars are not sitting down guitars. Oddly enough for a guitar in this price range, it doesn’t include a case.
Not the most famous guitar brand, but still credible at what they do, the Solo electro-acoustic has the unusual feature of a second sound hole on the top side of the body, facing the player, with the idea that the guitar projects the sound directly to the players ears. This could be too left-field for some players.
This whole piece would have failed entirely if a Martin wasn’t at the top end of things. If you aren’t familiar with Martin’s legendary D-28, it would be a surprise if you have read this far. Martin offers a 12-string version of this iconic guitar, with largely the same specs as the original, called the D12-28.
Like the Taylor, the D12-28 boasts of a Sitka spruce top, with Indian rosewood sides, crafted into a dreadnought body. A black ebony fingerboard, inlaid with standard dot inlays, sits on a mahogany neck.
It’s also available left-handed.
There are absolutely no frills with this guitar – just a solid instrument, loving craftsmanship, and the best quality materials. Martin makes it very clear that they are relying on their reputation and name for this one. However, that does beg the question: how much of its $3,599 RRP is based solely on the “Martin” adorning the headstock?
As you’d expect, straight off, the playability of this guitar is flawless. The action is low and light. The sweet tone has a richness and depth that could only inspire. The overall sound is a little more focused on the high end, but some strumming demonstrates the supreme clarity of the chords played.
Unlike most other 12-strings, this doesn’t come with a preamp, but the option is available. If you are going down that route, it would be important to ask yourself: “Will this guitar’s sound get the justice it deserves in a live setting?”
If you’re going to have one of the best 12-string guitars on the market, how much do you trust the engineer at your local club or dive bar to bring that out? Should an instrument of this quality be reserved for hedonistic, personal pleasure at home, or recording only through a high-end Neumann or Telefunken microphone? That’s entirely for you to decide.
There isn’t a lot of competition in 12-strings at this price level. It’s mostly higher end models from Taylor, such as their Taylor 456ce 12-String Acoustic Electric, Cutaway – Natural Gloss456ce , and Takamine, such as the P6JC-12. That’s not altogether surprising, as they are the two other biggest names in acoustic guitars.
You’ve probably noticed quite a focus on acoustics and electro-acoustics, and some of you may be wondering where the electric 12-strings are. It’s not that they don’t exist, it’s just there are so few of them to be able to make a reasonable comparison.
For example, putting “12 string” as a search term on Guitar Center’s website shows 273 results for acoustic guitars, and 21 for electric.
Probably the most prominent budget electric 12-string is the Danelectro 12SDC.
In the middle, you have the Reverend Airwave…
Rickenbackers such as the 360/12.
At the higher end, there are a couple of limited editions: a Gretsch G6122-6212 Vintage Select Edition ’62 Chet Atkins Country Gentleman,Gibson 12-string SG
and a Gibson 12-string SG.
It seems only fair to give honorable mentions to a couple of the more unusual 12-stringed instruments I found.
|Takamine G series
– RRP $538.99 – $692.99
|Taylor 254ce Deluxe Grand Auditorium – RRP $1,738||Martin D12-28
– RRP $3,599
|Fender Villager $449.99
|Ovation Balladeer – $899.99||Takamine P6JC-12– $3,691.99|
|Dean Exotica – $359
|Breedlove Solo – $1,132||Taylor 456ce – $3,058|
If you have been thinking about trying a 12-string, you should now have some idea about what’s available at various budget levels. Obviously, there are even more expensive models available, but I didn’t see the point in listing guitars that aren’t accessible.
Hopefully, this will help you get the most for your dollars, but as with any guitar, it has to feel right to your hand, and sound right to your ears. Play everything within your budget until you know you have the right one!
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