The actual kit that went around the world in the World in Six Strings footage. Sixteen months, twelve locations, about $900 all in.


Online guitar lessons are great, and I watch them myself. But, too many choices plus an overwhelming amount of instructional content can lead to analysis paralysis. So, I watch them as entertainment. Or, as we used to say at the Guitar Workshop, edutainment.
But what if you really want to get better? How do you make the most out of your online lessons?
Hi guys, I'm Ed from Guitar Space. And that's what this month's Trade Secret is about.
The online guitar instruction community is highly competitive, as is the face-to-face analog teaching world. And guitar teachers need to make a living. So, we end up teaching licks by the pound, both online and one-on-one. And I indeed fell into this trap.
Guitarists are enchanted with licks, riffs, scales, and solos. And, as teachers, we sometimes overwhelm the student with information; i.e., we throw more licks, riffs, and scales at the
But, even if only one topic is taught, the teacher can perform the idea too quickly and/or explain it in a way that only some students understand.
Where does that leave the rest of us?
Your favorite Youtuber demonstrates a scale, and the scale is the 'what' — it's content. And they show you how to play the scale. But, this is still part of the 'what' because it's still content.
Then they show you 'what' you can do with the scale by playing this lick (another 'what') and another lick. And they're probably showing you the 'how' (the process), But this gets overshadowed by the shiny new lick idea.
Some will share a backing track and then tell you to try the new scale over a chord riff or progression. So, you download (or create) the backing track and sit down to practice. But the scale sounds like a scale, and the licks sound like nonsense. And frustration sets in.
Many teachers, students, and lessons focus on the 'what,' which is content, i.e., scales, arpeggios, licks, riffs, runs, etc. And some lessons focus on the 'where' (fretboard location) to play the 'what' (scales, licks, etc.).
This is where online lessons don't meet you where you are, and you have to figure out how to fill in the gaps to meet the lesson where it is and figure out 'how' to practice and 'how' to apply the new scale.
The 'what' is the scale, and the 'how' is the learning process.
So, I created a video that demonstrates this process.
Let's revisit the scale lesson, and I'll keep this brief because the concept is more important than the details.
This is a
Define the goal: Playing the scale effectively.
I use the Connect-the-Dots Approach (please refer to the video for a demonstration).
Now, you're ready to focus on using the scale to solo. Too many of us are sped through this phase. We jump into soloing before we're prepared to begin the soloing process. But then comes the next challenge.
Let's start with a question every student asks at some point in their journey.
Why do I sound like I'm practicing scales when I try to solo?
Because you begin the soloing process playing scales the way that you practice them. So it would help if you practiced soloing and improvising how you would solo, using bite-sized ideas.
By applying two concepts to your 'what.'
In the video, I use the following two motifs with pacing:
These concepts can be applied to any scale.
You now have a process for learning and applying the scale to your solo.
This will work with any scale and arpeggio.
In the grander scheme of things, you now know that you need to apply a process to the concepts taught when studying online.
The internet is overflowing with information, and it's easy to become overwhelmed. But, if you learn how to create processes for understanding and applying the concepts, your online learning experience will be increasingly fulfilling.
Thanks for reading. Till next time, practice smart and play from the heart. I wish you the best.

The actual kit that went around the world in the World in Six Strings footage. Sixteen months, twelve locations, about $900 all in.
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